Rated PG-13, 84 minutes
"Mansome" a fun, amusing Morgan Spurlock doc
"Mansome"
is the amusing new documentary from noted filmmaker Morgan Spurlock
("Super Size Me"), who this time takes a look at 21st Century men's
grooming habits. Interestingly, the term "mansome" is actually a word,
as Urban Dictionary defines it as an adjective that describes a man who
is both "manly and handsome." Spurlock, with the help of actors Paul
Rudd, Jason Bateman, Will Arnett and others humorously take a look at
how everything about men's grooming - particularly hair and body
products and shaving - have changed in contemporary times. Done in
typical cheeky Spurlock fashion, the topic is slight and seems mostly a
way for Spurlock and his pals to have fun with the subject, especially
the section on the beardsman. That's not to say it isn't fun, just not
as relevant and fascinating as some of Spurlock's other work, given that
metrosexuals have been around since the Clinton Administration.
Enjoyable and light-hearted.
Sunday, May 27, 2012
Headhunters - B
Rated R, 100 minutes
In German, Norwegian and other languages with English subtitles
"Headhunters" is a slick, smooth foreign thriller
"Headhunters" is a slick, well-made Norwegian-German drama based on Norwegian author Jo Nesbo's best-selling novel "The Headhunters." In various Danish languages with English subtitles, this engrossing mystery-drama is nothing new but it's terrific fun to watch the various twists and turns. It's about a headhunter who doubles as an art-thief to pay for his lavish lifestyle but whose life is turned upside down when he recruits a former elite assassin for a new assignment, and he gets more than he bargained for. "Headhunters" pulls you in early and won't let you go; this is something like Michael Douglas or Tom Cruise could've made back in the '90s. Handsomely photographed and filled with a nice, moody score, "Headhunters" is nothing new but it's definitely entertaining; I wouldn't be surprised if this was remade in the states.
In German, Norwegian and other languages with English subtitles
"Headhunters" is a slick, smooth foreign thriller
"Headhunters" is a slick, well-made Norwegian-German drama based on Norwegian author Jo Nesbo's best-selling novel "The Headhunters." In various Danish languages with English subtitles, this engrossing mystery-drama is nothing new but it's terrific fun to watch the various twists and turns. It's about a headhunter who doubles as an art-thief to pay for his lavish lifestyle but whose life is turned upside down when he recruits a former elite assassin for a new assignment, and he gets more than he bargained for. "Headhunters" pulls you in early and won't let you go; this is something like Michael Douglas or Tom Cruise could've made back in the '90s. Handsomely photographed and filled with a nice, moody score, "Headhunters" is nothing new but it's definitely entertaining; I wouldn't be surprised if this was remade in the states.
Sound of My Voice - B+
Rated R, 85 minutes
"Sound of My Voice" is an engaging character study
"Sound of My Voice" is an independent, low-budget drama about a young journalist (Christopher Denham) and his girlfriend (Nicole Vicius) who are attempting to make an undercover investigative documentary to expose a magnetic cult leader (Brit Marling, from "Another Earth") who claims to be from the future. They get pulled in farther than they like, only exposing their character flaws. Engaging, fascinating character study from newcomer Zal Batmangli, with strong performances from the three leads, particularly Marling, who is mesmerizing as the cult leader. It loses a little steam with a weak second act and ending, but overall a solid effort and worth a look.
"Sound of My Voice" is an engaging character study
"Sound of My Voice" is an independent, low-budget drama about a young journalist (Christopher Denham) and his girlfriend (Nicole Vicius) who are attempting to make an undercover investigative documentary to expose a magnetic cult leader (Brit Marling, from "Another Earth") who claims to be from the future. They get pulled in farther than they like, only exposing their character flaws. Engaging, fascinating character study from newcomer Zal Batmangli, with strong performances from the three leads, particularly Marling, who is mesmerizing as the cult leader. It loses a little steam with a weak second act and ending, but overall a solid effort and worth a look.
Elles - B
Rated NC-17, 92 minutes
In French with English subtitles
Binoche is stunning in the provocative drama "Elles"
"Elles" the provocative, stirring new European film starring Oscar-winner Juliette Binoche that will surely make waves. Anne (Binoche) is a Parisian jounalist doing a story for the French Elle magazine about two young female student prostitutes from very different backgrounds. There's the ambitious Alicja (Joanna Kulig), whose studying economics, and prep student Charlotte (Anaïs Demoustier), who desires to leave her modest middle class background. Where Anne is expecting misery and distress, she discovers freedom, pride, and empowerment. As Anne’s professional curiosity in the two liberated women becomes personal, she starts to question her own sexuality. Director Malgorzata Szumowska's film is finely acted, fascinating drama heavy with feminist themes; it's sort of a European-based, older female version of "Shame" ripe with sexuality. Binoche's emotional evolution throughout the film is the best thing about the film; since her Oscar win in 1996 for "The English Patient," she continues to deliver sublime performances, and as of late mostly in foreign film, but she is steadily becoming one of film's best character actresses. Szumowka's film fails to effectively deliver most of its heady feminist messages, but all the actresses deliver such great performances you may not care. "Elles," filled enough sexual images and nudity that certainly earns its NC-17 rating and it isn't for everyone, but it's worth seeing for a stunning performance from Binoche in what will be one of the year's most controversial films.
In French with English subtitles
Binoche is stunning in the provocative drama "Elles"
"Elles" the provocative, stirring new European film starring Oscar-winner Juliette Binoche that will surely make waves. Anne (Binoche) is a Parisian jounalist doing a story for the French Elle magazine about two young female student prostitutes from very different backgrounds. There's the ambitious Alicja (Joanna Kulig), whose studying economics, and prep student Charlotte (Anaïs Demoustier), who desires to leave her modest middle class background. Where Anne is expecting misery and distress, she discovers freedom, pride, and empowerment. As Anne’s professional curiosity in the two liberated women becomes personal, she starts to question her own sexuality. Director Malgorzata Szumowska's film is finely acted, fascinating drama heavy with feminist themes; it's sort of a European-based, older female version of "Shame" ripe with sexuality. Binoche's emotional evolution throughout the film is the best thing about the film; since her Oscar win in 1996 for "The English Patient," she continues to deliver sublime performances, and as of late mostly in foreign film, but she is steadily becoming one of film's best character actresses. Szumowka's film fails to effectively deliver most of its heady feminist messages, but all the actresses deliver such great performances you may not care. "Elles," filled enough sexual images and nudity that certainly earns its NC-17 rating and it isn't for everyone, but it's worth seeing for a stunning performance from Binoche in what will be one of the year's most controversial films.
Marley - B+
Rated PG-13, 144 minutes
Music the best thing about the fascinating doc "Marley"
"Marley" is a fascinating, overlong but definitive portrait of reggae music legend Bob Marley, it's filled with many interviews, photographs and some electrifying concert footage you're likely not to get anywhere else. Exhaustive and detailed, it trails the talented Marley's personal life and career from birth in Jamaica to the time of his untimely death in 1981 from cancer. From Academy Award-winning documentary director Kevin Macdonald ("One Day in September," "The Last King of Scotland"), and while it's certainly ambitious, unsurprisingly the best thing about the film is the load of Marley music that peppers the film. From the influences on Marley's music to how Marley himself influenced music, it's a fascinating look at a strikingly handsome, charismatic individual whose main goal was to make good music. You see many, many interviews with Marley's family, bandmates and friends along with Marley himself in archival footage, though the most revealing comes in the magnetic concert footage that is the film's chief highlight. Macdonald's film, at an overlong 144 minutes, is a little redundant at times but it will certainly please Marley's fanbase. Though the Oscars for 2012 are still far away, "Marley" is one of the year's best documentaries and should easily be in the running for the Oscar for Best Documentary.
Music the best thing about the fascinating doc "Marley"
"Marley" is a fascinating, overlong but definitive portrait of reggae music legend Bob Marley, it's filled with many interviews, photographs and some electrifying concert footage you're likely not to get anywhere else. Exhaustive and detailed, it trails the talented Marley's personal life and career from birth in Jamaica to the time of his untimely death in 1981 from cancer. From Academy Award-winning documentary director Kevin Macdonald ("One Day in September," "The Last King of Scotland"), and while it's certainly ambitious, unsurprisingly the best thing about the film is the load of Marley music that peppers the film. From the influences on Marley's music to how Marley himself influenced music, it's a fascinating look at a strikingly handsome, charismatic individual whose main goal was to make good music. You see many, many interviews with Marley's family, bandmates and friends along with Marley himself in archival footage, though the most revealing comes in the magnetic concert footage that is the film's chief highlight. Macdonald's film, at an overlong 144 minutes, is a little redundant at times but it will certainly please Marley's fanbase. Though the Oscars for 2012 are still far away, "Marley" is one of the year's best documentaries and should easily be in the running for the Oscar for Best Documentary.
Friday, May 25, 2012
My Way - A-
Rated R, 153 minutes
In Korean, Japanese, Russian, German with English subtitles
The thrilling, stunning Korean film "My Way" is a must-see
"My Way" is the stunning new South Korean historical action film from noted South Korean director Kang-Je-gyu. The epic film follows two men from colonial Seoul in 1938, one Japanese man named Tatsuo (Joe Odagiri) and a Korean, Joon-sik (Jang-Dong-gun). Joon-sik's family works for Tatsuo's family as servants, but both are top marathon runners and rivals. Joon-sik is forced to serve in the Japanese army following some unfortunate events at a race, and later he meets up with Tatsuo, who has become a high-ranking officer in the army. As World War II breaks out, the two inspire hope in each other over countless battles that span many countries. "My Way" is an epic, touching film with some breathtaking battle scenes that make it part "Chariots of Fire" and part "Saving Private Film." The handsome, vastly entertaining film, shot over 10 months, is the most expensive film in South Korean history and it shows on screen but is worth the viewing. A tad long and redundant, it's still engrossing enough that there's rarely a dull moment between the violent but stunning battle scenes that make the film worth seeing. "My Way" is the best foreign film I've seen in some time and the best one in current release. Definitely worth a look regardless if you like foreign films or not.
In Korean, Japanese, Russian, German with English subtitles
The thrilling, stunning Korean film "My Way" is a must-see
"My Way" is the stunning new South Korean historical action film from noted South Korean director Kang-Je-gyu. The epic film follows two men from colonial Seoul in 1938, one Japanese man named Tatsuo (Joe Odagiri) and a Korean, Joon-sik (Jang-Dong-gun). Joon-sik's family works for Tatsuo's family as servants, but both are top marathon runners and rivals. Joon-sik is forced to serve in the Japanese army following some unfortunate events at a race, and later he meets up with Tatsuo, who has become a high-ranking officer in the army. As World War II breaks out, the two inspire hope in each other over countless battles that span many countries. "My Way" is an epic, touching film with some breathtaking battle scenes that make it part "Chariots of Fire" and part "Saving Private Film." The handsome, vastly entertaining film, shot over 10 months, is the most expensive film in South Korean history and it shows on screen but is worth the viewing. A tad long and redundant, it's still engrossing enough that there's rarely a dull moment between the violent but stunning battle scenes that make the film worth seeing. "My Way" is the best foreign film I've seen in some time and the best one in current release. Definitely worth a look regardless if you like foreign films or not.
Thursday, May 24, 2012
Chernobyl Diaries - C-
Rated R, 90 minutes
Vapid "Chernobyl Diaries" isn't a total disaster
I went to the new horror film "Chernobyl Diaries" believing that it would nothing short of disastrous, but the film has a few surprisingly jumpy moments, though it runs out of gas near the end. Produced and written by Oren Peli, the creator of the original "Paranormal Activity," the story is disappointingly flat and seems otherwise like a Russian-flavored "The Hills Have Eyes." The film concerns a few young American tourists (what else?) in Russia who are taken by an "extreme tour guide" to explore the abandoned city of Pripyat, the home of the workers of the Chernobyl nuclear disaster back in the '80s. After a brief exploration of the city they soon realize that they're not alone and face uncertain danger. "Chernobyl Diaries" is an unmemorable horror film with a handful of scary moments; it's based on a short story by Peli and is the directorial debut of visual effects producer Bradley Parker ("Let Me In"). The film's earlier, more mysterious sections are stronger before it falls apart under some vastly overused horror cliches in the last act (i.e. too many stupid people going in the dark to check on things...really?). Shot on various locations, including the actual abandoned city of Pripyat (a nice touch), the young actors are largely unknowns except young pop singer Jesse McCartney, in a minimal role. "Chernobyl Diaries" would've benefited more with Peli's direction, who seems to have a knack for building tension, instead the story isn't fleshed out from inexperienced director Parker. Interesting tidbit: the film is co-written by Shane and Carey Van Dyke, grandsons of veteran comedian Dick Van Dyke. If only "Chernobyl Diaries" were as interesting or as shocking as the trailers make it out to be; it starts out with a few scares but ends with a whimper.
Vapid "Chernobyl Diaries" isn't a total disaster
I went to the new horror film "Chernobyl Diaries" believing that it would nothing short of disastrous, but the film has a few surprisingly jumpy moments, though it runs out of gas near the end. Produced and written by Oren Peli, the creator of the original "Paranormal Activity," the story is disappointingly flat and seems otherwise like a Russian-flavored "The Hills Have Eyes." The film concerns a few young American tourists (what else?) in Russia who are taken by an "extreme tour guide" to explore the abandoned city of Pripyat, the home of the workers of the Chernobyl nuclear disaster back in the '80s. After a brief exploration of the city they soon realize that they're not alone and face uncertain danger. "Chernobyl Diaries" is an unmemorable horror film with a handful of scary moments; it's based on a short story by Peli and is the directorial debut of visual effects producer Bradley Parker ("Let Me In"). The film's earlier, more mysterious sections are stronger before it falls apart under some vastly overused horror cliches in the last act (i.e. too many stupid people going in the dark to check on things...really?). Shot on various locations, including the actual abandoned city of Pripyat (a nice touch), the young actors are largely unknowns except young pop singer Jesse McCartney, in a minimal role. "Chernobyl Diaries" would've benefited more with Peli's direction, who seems to have a knack for building tension, instead the story isn't fleshed out from inexperienced director Parker. Interesting tidbit: the film is co-written by Shane and Carey Van Dyke, grandsons of veteran comedian Dick Van Dyke. If only "Chernobyl Diaries" were as interesting or as shocking as the trailers make it out to be; it starts out with a few scares but ends with a whimper.
Men in Black 3 - B
Rated PG-13, 106 minutes
Characters best part of charming, familiar "MIB 3"
It's hard not to like Will Smith, Tommy Lee Jones and Josh Brolin in the enjoyable but well-worn "Men in Black 3." The whole gang is back for the first time in 10 years, since the lackluster "Men in Black II" in 2002; this energetic, fun installment is an improvement over that film but doesn't tread much new ground. Smith is Agent J, Jones is Agent K, partners in fighting the scum of the universe and on their toes even more when one of the scum, deadly alien Boris the Animal ("Flight of the Conchords'" Jermaine Clement, inspired) escapes and threatens Earth along with K, who put Boris away over 40 years ago. J goes back in time to work with a younger K (Brolin) to save the Earth from Boris. Director Barry Sonnenfeld brings the crew back together in the enjoyable "MIB 3" with some of the inspired wit and charm that made the original a huge hit 15 years ago, with a wise focus on the characters again. Smith, back on the big screen for the first time in several years, is back in charismatic form throwing out cheeky one-liners and generally having a good time, as does Jones, with less footage but still an integral part of the story. Brolin's witty, spot-on turn as the younger Jones is the film's chief highlight and worth the price of admission; he captures many of Jones' stoic looks and mannerisms perfectly. Less successful is the loads of busy special effects and CG (along with the unnecessary 3D), which don't drain the film as it did with the second film but clearly obvious where much of "MIB 3's" enormous budget (reportedly over $200 million) went to. "MIB 3's" story arc in the final act is a nice twist, but altogether it's still too predictable, only proving that this franchise is showing its age. "Men in Black 3" is familiar but crowd-pleasing, entertaining fun and worth a look especially for Brolin and Smith.
Characters best part of charming, familiar "MIB 3"
It's hard not to like Will Smith, Tommy Lee Jones and Josh Brolin in the enjoyable but well-worn "Men in Black 3." The whole gang is back for the first time in 10 years, since the lackluster "Men in Black II" in 2002; this energetic, fun installment is an improvement over that film but doesn't tread much new ground. Smith is Agent J, Jones is Agent K, partners in fighting the scum of the universe and on their toes even more when one of the scum, deadly alien Boris the Animal ("Flight of the Conchords'" Jermaine Clement, inspired) escapes and threatens Earth along with K, who put Boris away over 40 years ago. J goes back in time to work with a younger K (Brolin) to save the Earth from Boris. Director Barry Sonnenfeld brings the crew back together in the enjoyable "MIB 3" with some of the inspired wit and charm that made the original a huge hit 15 years ago, with a wise focus on the characters again. Smith, back on the big screen for the first time in several years, is back in charismatic form throwing out cheeky one-liners and generally having a good time, as does Jones, with less footage but still an integral part of the story. Brolin's witty, spot-on turn as the younger Jones is the film's chief highlight and worth the price of admission; he captures many of Jones' stoic looks and mannerisms perfectly. Less successful is the loads of busy special effects and CG (along with the unnecessary 3D), which don't drain the film as it did with the second film but clearly obvious where much of "MIB 3's" enormous budget (reportedly over $200 million) went to. "MIB 3's" story arc in the final act is a nice twist, but altogether it's still too predictable, only proving that this franchise is showing its age. "Men in Black 3" is familiar but crowd-pleasing, entertaining fun and worth a look especially for Brolin and Smith.
Thursday, May 17, 2012
What to Expect When Your Expecting - B-
Rated PG-13, 110 minutes
Supporting cast steals serviceable rom com "Expecting"
One thing the serviceable but overlong new rom com "What to Expect When Your Expecting" delivers is a few warm laughs and giggles. Unsurprisingly, the mildly enjoyable "Expecting" is about 90% estrogen-based and appeals mostly to the female set, but after the rousing "The Avengers" this fills the void for a good date movie. "Expecting's" intersecting storylines include Holly (Jennifer Lopez) and Alex (Rodrigo Santoro), who begins the adoption process for a baby from abroad after she's unable to conceive; Jules (Cameron Diaz), a Jillian Michaels-like fitness guru who becomes pregnant with her dance partner ("Glee's" Matthew Morrison); Wendy (Elizabeth Banks), a baby-story boutique owner who finally becomes pregnant with husband Colin (Ben Falcone), whose rich race-car dad (Dennis Quaid) and much-younger wife (Brooklyn Decker), become pregnant at the same time; competing food-truck owners and old flames Rosie ("Up in the Air's" Anna Kendrick) and Marco (Chace Crawford), who unexpectedly become pregnant when trying to rekindle their relationship. "What to Expect When Your Expecting" is an amusing, above-average rom com entry weighed down by the contrivances of a messy, jumbled script. Too many characters and too many plots may remind of a Garry Marshall comedy, but unlike those forgettable films, "Expecting" has a few memorable supporting comedic players who enliven (and who steal) the show, namely "Bridesmaids" alum Rebel Wilson as Banks' employee, whose facial gestures and movements embody a delightful silliness, and naturally Chris Rock, out of place here as part of a Dad's group but whose throwaway lines burst the film with life. Unfortunately, Kendrick's touching story gets lost in the fray early on, while Banks and Falcone (also of "Bridesmaids") anchor the film with heart and enjoy some silly moments (Banks' You Tube meltdown is a highlight). As for the high-profile Lopez and Diaz, they'll sell the tickets but we could've easily done without their weak storylines, giving way for an all-too predictable climactic hospital scene. Really there's nothing new or revelatory about "What to Expect When Your Expecting," which works best when it has fun and births some decent chuckles.
Supporting cast steals serviceable rom com "Expecting"
One thing the serviceable but overlong new rom com "What to Expect When Your Expecting" delivers is a few warm laughs and giggles. Unsurprisingly, the mildly enjoyable "Expecting" is about 90% estrogen-based and appeals mostly to the female set, but after the rousing "The Avengers" this fills the void for a good date movie. "Expecting's" intersecting storylines include Holly (Jennifer Lopez) and Alex (Rodrigo Santoro), who begins the adoption process for a baby from abroad after she's unable to conceive; Jules (Cameron Diaz), a Jillian Michaels-like fitness guru who becomes pregnant with her dance partner ("Glee's" Matthew Morrison); Wendy (Elizabeth Banks), a baby-story boutique owner who finally becomes pregnant with husband Colin (Ben Falcone), whose rich race-car dad (Dennis Quaid) and much-younger wife (Brooklyn Decker), become pregnant at the same time; competing food-truck owners and old flames Rosie ("Up in the Air's" Anna Kendrick) and Marco (Chace Crawford), who unexpectedly become pregnant when trying to rekindle their relationship. "What to Expect When Your Expecting" is an amusing, above-average rom com entry weighed down by the contrivances of a messy, jumbled script. Too many characters and too many plots may remind of a Garry Marshall comedy, but unlike those forgettable films, "Expecting" has a few memorable supporting comedic players who enliven (and who steal) the show, namely "Bridesmaids" alum Rebel Wilson as Banks' employee, whose facial gestures and movements embody a delightful silliness, and naturally Chris Rock, out of place here as part of a Dad's group but whose throwaway lines burst the film with life. Unfortunately, Kendrick's touching story gets lost in the fray early on, while Banks and Falcone (also of "Bridesmaids") anchor the film with heart and enjoy some silly moments (Banks' You Tube meltdown is a highlight). As for the high-profile Lopez and Diaz, they'll sell the tickets but we could've easily done without their weak storylines, giving way for an all-too predictable climactic hospital scene. Really there's nothing new or revelatory about "What to Expect When Your Expecting," which works best when it has fun and births some decent chuckles.
Battleship - C
Rated PG-13, 131 minutes
"Battleship": Mindless and really just "Transformers" at sea
As a kid, I enjoyed playing the board game "Battleship" to guess the coordinates of and ultimately sink my opponent's battleship to win the game. As an adult, I wished I had the same enjoyment for the mindless, CG-laden new action film "Battleship," based very loosely on the Hasbro game and reimagined as a cross between "Transformers" and "Independence Day." Loud, clanky and utterly ridiculous, the loose energy and the impressive visual effects are entertaining but can't overcome the lousy dialogue, bad acting and super-dumb story (i.e. everything else). "John Carter's" Taylor Kitsch is Alex, a twenty-something slacker recruited by his older brother Stone (Alexander Skarsgard of "True Blood") to the Navy to man him up. Alex falls in love with Sam (Brooklyn Decker also in this week's "What to Expect When Your Expecting"), the daughter of the commander (Liam Neeson, very small role). Some nasty aliens pick up on a powerful NASA signal and threaten to take over the world but first must get pass the Navy in a water fight near Hawaii. "Battleship" is cheesy but forgettable guilty-pleasure fun that's essentially "Transformers" at sea, unsurprising given co-producer Hasbro's huge influence here as the creator of the board game. Director Peter Berg ("Hancock") fills the film with plenty of sublime explosions and enormous machines that are visually striking, but grounds the film with awful dialogue and super bland leads in Kitsch and Decker; the one decent actor in "Battleship," Neeson, is relegated to only a handful of scenes and is missing from a large chunk of the movie. There's also a huge disconnect with the aliens who demonstrate an awful sense of unoriginality and familiarity (really just a smaller version of a transformer). "Battleship," with a few elements of the game loosely incorporated in (though those unfamiliar with the game won't know), dumbs itself down perfectly for the summer movie-going audience and has already proved to be a huge hit overseas. Worth a look if you enjoy this sort of obtuse action entertainment.
"Battleship": Mindless and really just "Transformers" at sea
As a kid, I enjoyed playing the board game "Battleship" to guess the coordinates of and ultimately sink my opponent's battleship to win the game. As an adult, I wished I had the same enjoyment for the mindless, CG-laden new action film "Battleship," based very loosely on the Hasbro game and reimagined as a cross between "Transformers" and "Independence Day." Loud, clanky and utterly ridiculous, the loose energy and the impressive visual effects are entertaining but can't overcome the lousy dialogue, bad acting and super-dumb story (i.e. everything else). "John Carter's" Taylor Kitsch is Alex, a twenty-something slacker recruited by his older brother Stone (Alexander Skarsgard of "True Blood") to the Navy to man him up. Alex falls in love with Sam (Brooklyn Decker also in this week's "What to Expect When Your Expecting"), the daughter of the commander (Liam Neeson, very small role). Some nasty aliens pick up on a powerful NASA signal and threaten to take over the world but first must get pass the Navy in a water fight near Hawaii. "Battleship" is cheesy but forgettable guilty-pleasure fun that's essentially "Transformers" at sea, unsurprising given co-producer Hasbro's huge influence here as the creator of the board game. Director Peter Berg ("Hancock") fills the film with plenty of sublime explosions and enormous machines that are visually striking, but grounds the film with awful dialogue and super bland leads in Kitsch and Decker; the one decent actor in "Battleship," Neeson, is relegated to only a handful of scenes and is missing from a large chunk of the movie. There's also a huge disconnect with the aliens who demonstrate an awful sense of unoriginality and familiarity (really just a smaller version of a transformer). "Battleship," with a few elements of the game loosely incorporated in (though those unfamiliar with the game won't know), dumbs itself down perfectly for the summer movie-going audience and has already proved to be a huge hit overseas. Worth a look if you enjoy this sort of obtuse action entertainment.
Tuesday, May 15, 2012
The Dictator - B-
Rated R, 83 minutes
You'll love and hate the new comedy "The Dictator"
The verdict is in and I didn't hate the low-brow new comedy "The Dictator" as much as I thought I would. The film stars Sacha Baron Cohen, whose offensive, broad brand of shock comedy was sharp in "Borat" but less so in the terrible "Bruno," finds more stable ground with "The Dictator." Unlike his previous films, "The Dictator" isn't a mockumentary but more of a loosely scripted film with a few decent actors alongside him (Anna Faris and Ben Kingsley, both used well here, especially Faris). The film is about a fictional ruler named General Aladeen from a North African country called Wadiya (also fictional) who is unexpectedly desposed while visiting New York City so that a more democratic government could be installed. Remarkably, "The Dictator" has some sharp, hilarious moments that rival "Borat" but also some deeply offensive moments in typical Baron Cohen form that fall flat in its attempts to shock. "The Dictator" reminds of a famous Bart Simpson line: "Is it possible that it both sucks and blows?" With "The Dictator," that would be yes; you may hate it and love it at the same time. The bottom line: there are some inspired moments and Baron Cohen is a comedic talent (and acquired taste), but overall you won't remember much. Do watch for some amusing cameos ranging from John C. Reilly to Megan Fox. "The Dictator" rules, but only for a few fleeting moments.
You'll love and hate the new comedy "The Dictator"
The verdict is in and I didn't hate the low-brow new comedy "The Dictator" as much as I thought I would. The film stars Sacha Baron Cohen, whose offensive, broad brand of shock comedy was sharp in "Borat" but less so in the terrible "Bruno," finds more stable ground with "The Dictator." Unlike his previous films, "The Dictator" isn't a mockumentary but more of a loosely scripted film with a few decent actors alongside him (Anna Faris and Ben Kingsley, both used well here, especially Faris). The film is about a fictional ruler named General Aladeen from a North African country called Wadiya (also fictional) who is unexpectedly desposed while visiting New York City so that a more democratic government could be installed. Remarkably, "The Dictator" has some sharp, hilarious moments that rival "Borat" but also some deeply offensive moments in typical Baron Cohen form that fall flat in its attempts to shock. "The Dictator" reminds of a famous Bart Simpson line: "Is it possible that it both sucks and blows?" With "The Dictator," that would be yes; you may hate it and love it at the same time. The bottom line: there are some inspired moments and Baron Cohen is a comedic talent (and acquired taste), but overall you won't remember much. Do watch for some amusing cameos ranging from John C. Reilly to Megan Fox. "The Dictator" rules, but only for a few fleeting moments.
Friday, May 11, 2012
Darling Companion - C
Rated PG-13, 103 minutes
Disappointing "Darling Companion" isn't that darling
Disappointing "Darling Companion" isn't that darling
"Darling Companion" is a disappointing and unsatisfying new dramedy from veteran director Lawrence Kasdan ("Grand Canyon," "The Big Chill") and starring Oscar-winners Diane Keaton, Kevin Kline and Dianne Weist. Considering the talent involved, it's rather a dull, listless affair about a lost dog who brings a married couple closer. Beth (Keaton) saves a bedraggled lost dog from the side of the freeway on a wintry day in Denver. Struggling with her distracted, self-involved husband and surgeon Joseph (Kline), she forms a special bond with the dog. Joseph loses the dog after their daughter's wedding at their vacation home in the Rockies and they frantically look for the dog in an adventure that will bring them closer together in more ways than they expected. I really expected to enjoy "Darling Companion" much more considering the likability of Keaton and Kline, but considering how unsympathetic these characters appear to be, you really can't blame the dog for running away from this annoying couple. "Darling Companion" isn't a terrible film by any means, just a slight affair; it's not all the actors' fault; the blame should be ascribed to the lackluster, thin script and direction from gifted writer and director Kasdan, who's done much better before, and here he brings out his leads more annoying traits (Keaton's grating insufferability and Kline's patronizing attitude). Weist and Richard Jenkins are the much more fun couple, as Joseph's sister and her companion, but their limited footage doesn't amount to much. "Darling Companion" tries to bring these characters together in a pat, unsatisfying ending, but you may not care much. The dog, a lovable, charming mutt named Freeway, lives up to his name; he is a darling companion, but he needs to find a better family.
Dark Shadows - C
Rated PG-13, 113 minutes
Slow, stale "Dark Shadows" lacks bite
"Dark Shadows" is the entertaining but middling and uneven dark new comedy film from Johnny Depp and Tim Burton based on the early 1970s gothic TV soap opera of the same name. In 18th century New England, Barnabas Collins (Depp) is a wealthy playboy in Collinsport, Maine and is the master of Collinwood Manor. He breaks the heart of a witch, Angelique Bouchard (Eva Green), who turns him into a vampire and buries him alive. In 1972, Barnabas is accidentally freed from his coffin and returns to find his once-magnificent mansion in ruin. The manor is currently occupied by Barnabas' dysfunctional descendants (Michelle Pfeiffer, Jonny Lee Miller, Chloe Moretz, Jackie Earle Haley and Helena Bonham Carter), all of whom are hiding dark and horrifying secrets. With impressive costumes, sets and production design, "Dark Shadows" is a fun jaunt on the dark, often bizarre side, though it's clear Depp and Burton seem to be going through the paces, as if they've done this before (and they have, much better than this). Fans of the TV series may not be overly pleased with this new, big-budget incarnation from drama to comedy (and watch for cameos from several original cast members, including the late Jonathan Frid, who played the Depp role on TV and just passed away about a month ago). The script for "Dark Shadows" is the film's chief flaw; these interesting characters are assembled with little to do and the thin plot strums along predictably. Still, Depp seems to be having fun and Pfeiffer in particular is still lovely after all these years. "Dark Shadows" has a few enjoyable moments, but most of it lacks bite considering the cast and director.
Slow, stale "Dark Shadows" lacks bite
"Dark Shadows" is the entertaining but middling and uneven dark new comedy film from Johnny Depp and Tim Burton based on the early 1970s gothic TV soap opera of the same name. In 18th century New England, Barnabas Collins (Depp) is a wealthy playboy in Collinsport, Maine and is the master of Collinwood Manor. He breaks the heart of a witch, Angelique Bouchard (Eva Green), who turns him into a vampire and buries him alive. In 1972, Barnabas is accidentally freed from his coffin and returns to find his once-magnificent mansion in ruin. The manor is currently occupied by Barnabas' dysfunctional descendants (Michelle Pfeiffer, Jonny Lee Miller, Chloe Moretz, Jackie Earle Haley and Helena Bonham Carter), all of whom are hiding dark and horrifying secrets. With impressive costumes, sets and production design, "Dark Shadows" is a fun jaunt on the dark, often bizarre side, though it's clear Depp and Burton seem to be going through the paces, as if they've done this before (and they have, much better than this). Fans of the TV series may not be overly pleased with this new, big-budget incarnation from drama to comedy (and watch for cameos from several original cast members, including the late Jonathan Frid, who played the Depp role on TV and just passed away about a month ago). The script for "Dark Shadows" is the film's chief flaw; these interesting characters are assembled with little to do and the thin plot strums along predictably. Still, Depp seems to be having fun and Pfeiffer in particular is still lovely after all these years. "Dark Shadows" has a few enjoyable moments, but most of it lacks bite considering the cast and director.
Friday, May 4, 2012
Bernie - B
Rated PG-13, 104 minutes
Black the best thing about the dark comedy "Bernie"
"Bernie" is the new dark comedy from Richard Linklater ("School of Rock") and is based on true events surrounding Bernard Tiede of Carthage, Texas, a funeral home director who befriends a crusty, wealthy widow then later kills her and attempts to cover up her death. Well-acted and somewhat amusing, "Bernie" is an interesting mix of amusing anecdotes and caricatures, but its uneven tone and flawed script leave it a little one-sided. Jack Black played Bernie Tiede, a seemingly kind, good-hearted Carthage, Texas man in his later 30s with little interest in women his own age. A funeral director and well-liked citizen, Tiede has varied interests and befriends widows at many funerals. He befriends Marjorie Nugent (Shirley MacLaine), a wealthy, crusty widow with few close friends or family. They become companions but Bernie, growing weary of Marjorie's incessant nagging and put-downs, snaps and kills her by shooting her in the back four times. He then hides her body and covers up her death for months until a local district attorney (Matthew McConaughey) investigates and eventually convicts Bernie of the crime. "Bernie" is a mildly entertaining, well-acted dramedy from Texan Linklater, seemingly an inspired choice given his Texas roots, though in fact he probably isn't the best fit for the movie. Linklater's script, co-written with Skip Hollandsworth, who wrote the Texas Monthly piece upon which the movie is based, falters in grasping a solid tone and telling a complete story with better insight into Teide's motivations (also left out is the fact that in reality, the town was actually divided over Tiede's fate). Filled with supposed Carthage residents telling the story, it's initially amusing but generally self-mocking considering the circumstances. The best part of "Bernie" is Black, toned down and playing against type as the gentle, slightly effeminate Tiede; he captures much of what the script leaves out, which is a kind man who simply snapped over time. Black's beautiful renditions of many hymns in the film is a chief reason to see the film, not to mention his memorable chemistry with MacLaine, who makes the best of an underwritten role that largely leaves out Nugent's side of the story. "Bernie," shot on location in Carthage and surrounding areas, would've likely benefited from a director who had better grasp of the material, but the intriguing story and Black's superb performance make it worth a look.
Black the best thing about the dark comedy "Bernie"
"Bernie" is the new dark comedy from Richard Linklater ("School of Rock") and is based on true events surrounding Bernard Tiede of Carthage, Texas, a funeral home director who befriends a crusty, wealthy widow then later kills her and attempts to cover up her death. Well-acted and somewhat amusing, "Bernie" is an interesting mix of amusing anecdotes and caricatures, but its uneven tone and flawed script leave it a little one-sided. Jack Black played Bernie Tiede, a seemingly kind, good-hearted Carthage, Texas man in his later 30s with little interest in women his own age. A funeral director and well-liked citizen, Tiede has varied interests and befriends widows at many funerals. He befriends Marjorie Nugent (Shirley MacLaine), a wealthy, crusty widow with few close friends or family. They become companions but Bernie, growing weary of Marjorie's incessant nagging and put-downs, snaps and kills her by shooting her in the back four times. He then hides her body and covers up her death for months until a local district attorney (Matthew McConaughey) investigates and eventually convicts Bernie of the crime. "Bernie" is a mildly entertaining, well-acted dramedy from Texan Linklater, seemingly an inspired choice given his Texas roots, though in fact he probably isn't the best fit for the movie. Linklater's script, co-written with Skip Hollandsworth, who wrote the Texas Monthly piece upon which the movie is based, falters in grasping a solid tone and telling a complete story with better insight into Teide's motivations (also left out is the fact that in reality, the town was actually divided over Tiede's fate). Filled with supposed Carthage residents telling the story, it's initially amusing but generally self-mocking considering the circumstances. The best part of "Bernie" is Black, toned down and playing against type as the gentle, slightly effeminate Tiede; he captures much of what the script leaves out, which is a kind man who simply snapped over time. Black's beautiful renditions of many hymns in the film is a chief reason to see the film, not to mention his memorable chemistry with MacLaine, who makes the best of an underwritten role that largely leaves out Nugent's side of the story. "Bernie," shot on location in Carthage and surrounding areas, would've likely benefited from a director who had better grasp of the material, but the intriguing story and Black's superb performance make it worth a look.
Thursday, May 3, 2012
The Best Exotic Marigold Hotel - B
Rated PG-13, 118 minutes
Dench, Smith best thing about warm, touching "Marigold Hotel"
The charming new romantic drama "The Best Exotic Marigold Hotel" is a calculated but enjoyable film with potential cross-age appeal and a superb cast. If it finds the right audience it could be an early summer sleeper in the vein of last year's "Midnight in Paris." The film, based on a 2004 best-selling novel "These Foolish Things," concerns several British retirees who "outsource" their retirement to India based on several reasons. For Evelyn (Judi Dench), it's a way to start over after her husband's passing; for Norman (Ronald Pickup), it's for new relationship possibilities; for Graham (Tom Wilkinson, solid but underused here), a high-level judge, it's about reconnecting with people he grew up with in India; for Douglas (Bill Nighy) and Jean (Penelope Wilton), it's for economic reasons; for Madge (Celia Imrie), it's about independence; and for the crusty Muriel (Maggie Smith), it's for health reasons. They converge on the Best Exotic Marigold Hotel, a run-down enterprise run by Sonny (Dev Patel), who has his own dreams in mind. At first reluctant to embrace their new surroundings and culture, the retirees soon become transformed by their experiences. Handsomely filmed and directed by John Madden ("Shakespeare in Love"), "Marigold Hotel" is a lovely, touching but flawed film. On the plus side, there's veteran actresses Dench and Smith, both of whom become the heart and soul of the film; yet the down side is these two Oscar-winners share little screen time and dialogue. Interestingly, Madden uses them in divide-and-conquer fashion in separate storylines; however, it's a wise move considering their stories are by far the most engaging. "Marigold" is too long and stuffed with too many characters (the movie would've been perfectly fine with just Dench, Smith, Nighy and Wilkinson), particularly a couple of unnecessary subplots drag down the film's middle section, but it comes together nicely (yet predictably) in the satisfying final act. "The Best Exotic Marigold Hotel," much like the hotel itself, could've been shored up some, but as the film points out on more than one occasion, there's a certain beauty in old age, and you should take time to enjoy it. Worth a look for the always excellent Dench and Smith.
Dench, Smith best thing about warm, touching "Marigold Hotel"
The charming new romantic drama "The Best Exotic Marigold Hotel" is a calculated but enjoyable film with potential cross-age appeal and a superb cast. If it finds the right audience it could be an early summer sleeper in the vein of last year's "Midnight in Paris." The film, based on a 2004 best-selling novel "These Foolish Things," concerns several British retirees who "outsource" their retirement to India based on several reasons. For Evelyn (Judi Dench), it's a way to start over after her husband's passing; for Norman (Ronald Pickup), it's for new relationship possibilities; for Graham (Tom Wilkinson, solid but underused here), a high-level judge, it's about reconnecting with people he grew up with in India; for Douglas (Bill Nighy) and Jean (Penelope Wilton), it's for economic reasons; for Madge (Celia Imrie), it's about independence; and for the crusty Muriel (Maggie Smith), it's for health reasons. They converge on the Best Exotic Marigold Hotel, a run-down enterprise run by Sonny (Dev Patel), who has his own dreams in mind. At first reluctant to embrace their new surroundings and culture, the retirees soon become transformed by their experiences. Handsomely filmed and directed by John Madden ("Shakespeare in Love"), "Marigold Hotel" is a lovely, touching but flawed film. On the plus side, there's veteran actresses Dench and Smith, both of whom become the heart and soul of the film; yet the down side is these two Oscar-winners share little screen time and dialogue. Interestingly, Madden uses them in divide-and-conquer fashion in separate storylines; however, it's a wise move considering their stories are by far the most engaging. "Marigold" is too long and stuffed with too many characters (the movie would've been perfectly fine with just Dench, Smith, Nighy and Wilkinson), particularly a couple of unnecessary subplots drag down the film's middle section, but it comes together nicely (yet predictably) in the satisfying final act. "The Best Exotic Marigold Hotel," much like the hotel itself, could've been shored up some, but as the film points out on more than one occasion, there's a certain beauty in old age, and you should take time to enjoy it. Worth a look for the always excellent Dench and Smith.
The Avengers - B+
Rated PG-13, 142 minutes
Ready for some superheros? You'll love the rousing "The Avengers"
Ready for some superheros? You'll love the rousing "The Avengers"
Fan boys, geeks and movie lovers unite, for the mother of
all superhero movies, “The Avengers,” finally arrives in theaters this weekend
after much anticipation. Whether you count yourself a comic book fanatic or not
(that would be me), you won’t be disappointed by the action-packed, CG-laden “The Avengers,”
which brings together six superheroes to stop an other-worldly villain
from destroying Earth. Nick Fury (Samuel L. Jackson) has assembled his team of
unlikely heroes: Iron Man (Robert Downey, Jr.), Captain America (Chris Evans),
Thor (Chris Hemsworth), The Hulk (Mark Ruffalo), Hawkeye (Jeremy Renner) and
The Black Widow (Scarlett Johansson). They battle against Loki (Tom
Hiddleston), an exiled Norse god who also happens to be Thor’s brother. Directed by Joss Whedon (“Buffy the Vampire
Slayer”), “The Avengers” is a witty, slam-bang tribute to Marvel’s superheroes
that should satisfy fans and non-fans alike.
Anticipation has been building the last few years as several of the
central characters have had their own movies while others (such as Jackson)
have made fleeting appearances in those films. "The Avengers” story itself,
also penned by Whedon, is too long and occasionally lacks focus, but these are
small flaws in an otherwise epic film
that allows the superheroes to interact. The most
memorable is Downey as IronMan, whose tongue-in-cheek wit and sarcasm lightens
what could’ve been a laughably earnest affair. Ruffalo is also a nice addition
as the tortured soul Bruce Banner/Hulk, and his exchanges with Downey in
particular are fun. All the cast have some decent moments, though in a film
loaded down with superheroes, Renner and Johansson have the least impact as Hawkeye
and Black Widow, respectably (and they’re the least known of the six). The
extended, CG-heavy finale over the New York City skyline is the most smashing
thing about the film and something you won’t forget too easily but also leaving
it wide open for more of these (that means stay through the credits for one
last scene). Whatever your feelings about superheroes and comic books, “The
Avengers” will satisfy your tastes and then some. Worth seeing and worth the
wait.
Wednesday, May 2, 2012
Damsels in Distress - C
Rated PG-13, 99 minutes
"Damsels in Distress" is the new comedy from independent filmmaker Whit Stillman ("The Last Days of Disco") about the love lives of several intelligent college women led by Violet (Greta Gerwig) who attempt to somehow change the immature atmosphere at their school. The slow-paced, talky film has some charming moments but is otherwise a bit trite. Stillman is a decent filmmaker with an unconventional taste in humor, and "Damsels" is no different, which both helps and hurts the film; if you're a fan of Stillman, you'll likely enjoy the movie, while the rest of us may find it a bit of a bore. It also doesn't help that the film is largely miscast, with Gerwig ("Arthur") attractive but not strong enough to carry the film. It also doesn't help that most of the other girls are prettier or more interesting, particularly Analeigh Tipton ("Crazy Stupis Love"), as more of a free-spirit who gets involved with several men, including Adam Brody of "The OC" fame, as bland as ever here. Stillman tries to cast an ironic shadow on the fact that love is causing the women to promote the very shallow atmosphere they supposedly hate so much, but you may not care that much in the end. My favorite part of "Damsels in Distress" was a brief sight gag that had the word prevention falling out of a sign for a Suicide Prevention Center so that it only reads "Suicide Center." If only the rest of the film were as fun or interesting.
"Damsels in Distress" is the new comedy from independent filmmaker Whit Stillman ("The Last Days of Disco") about the love lives of several intelligent college women led by Violet (Greta Gerwig) who attempt to somehow change the immature atmosphere at their school. The slow-paced, talky film has some charming moments but is otherwise a bit trite. Stillman is a decent filmmaker with an unconventional taste in humor, and "Damsels" is no different, which both helps and hurts the film; if you're a fan of Stillman, you'll likely enjoy the movie, while the rest of us may find it a bit of a bore. It also doesn't help that the film is largely miscast, with Gerwig ("Arthur") attractive but not strong enough to carry the film. It also doesn't help that most of the other girls are prettier or more interesting, particularly Analeigh Tipton ("Crazy Stupis Love"), as more of a free-spirit who gets involved with several men, including Adam Brody of "The OC" fame, as bland as ever here. Stillman tries to cast an ironic shadow on the fact that love is causing the women to promote the very shallow atmosphere they supposedly hate so much, but you may not care that much in the end. My favorite part of "Damsels in Distress" was a brief sight gag that had the word prevention falling out of a sign for a Suicide Prevention Center so that it only reads "Suicide Center." If only the rest of the film were as fun or interesting.
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