Rated R, 157 minutes
Methodical, mesmerizing and tense “Zero
Dark Thirty”
“Zero Dark Thirty” is the stunning,
mesmerizing and superbly acted thriller about the CIA’s hunt for Osama Bin
Laden from Kathryn Bigelow, who tread similar ground in the Oscar-winning “The
Hurt Locker.” She again reteams with Mark Boal, her Oscar-winning writer from
that film, to provide a puzzling, fascinating and often morally ambiguous look
at the U.S. involvement with the tracking of the mastermind behind the 9/11
attacks. Reportedly based on CIA documents and transcripts (they have denied
much involvement with the film), the film follows CIA operative Maya (Jessica
Chastain), based on a real CIA Officer known as Jen, as she spends 10 years
hunting Bin Laden and with the help of U.S. Navy Seals, eventually killing him
in Pakistan in May 2011. The engaging, powerful film is essentially split into
two parts: the gathering of information, with the use of torture tactics, and
then the years spent tracking him and eventually finding him in Pakistan. The
film’s initial torture scenes provide a texture of moral looseness, though the
film doesn’t really need them to effectively work. “ZDT’s” second half is the
far better as it tracks Bin Laden’s whereabouts and the staging of the ambush
to finally kill the man behind so much terrorist attacks. Chastain, in a
star-making, minimalist yet layered part, is superb as Maya and centers the
film in her strongest part yet. With oversize facial features, slender body and
flame red hair, her character is far more driven than even she realizes, making
Chastain could be the front-runner in this year’s Best Actress Oscar race. She
has one of the year’s most memorable movie lines: “And just who are you?” she’s
asked. “I’m the mother-f----r who found this place,” she replies. Many of the
other CIA agents portrayed in the film are amalgams of real-life characters,
the strongest of which is Dan, the torture expert who seems to get anything out
of anyone, in a strong performance from Australian actor Jason Clarke, recently
seen in “Lawless” (he could be a darkhorse in the Supporting Actor Oscar
category too). Watch for Joel Edgerton, Harold Perrineau, Mark Duplass, Mark
Strong and Kyle Chandler in small but memorable roles, along with a fun cameo
from James Gandolfini as current Secretary of Defense Leon Panetta. Bigelow, in
a another strong directorial turn following “Hurt Locker,” along with Boal,
wisely steer away from political/moral preachiness to center the film on one
point: finding Bin Laden, and in such a methodical, fascinating way that it rarely feels dull. With that focus in mind, the film is well-constructed
and while slightly overlong, Bigelow keeps the pace moving along swiftly and
you may not feel the film’s 157 minutes. The final 20 minutes of “Zero Dark
Thirty,” when the manhunt finally concludes at Bin Laden’s compound, is among
the most breathtaking and intense seen in film over the last year. “Zero Dark
Thirty” is among the year’s best films and should figure in heavily in the film
awards’ race season in many categories.
Wes’s Grade: A-
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